Kerstin cmelka biography definition
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ABSTRAKT SPAT
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24.06.–24.09.2023
Opening: 23.06.2023, 18 h
Exhibition booklet (PDF)
Guided tour in German Sign Language:
25 August 2023, 18 h with Christopher Moeller
Simone Fattal’s itinerant biography is marked by fault lines, all of which have shaped her prolific artistic practice of nearly fifty years. Growing up amidst both the extensive heritage of the historical region of Syria and Lebanon and the tumultuous aftermath of the Franco-British partition of the Ottoman Empire, she encountered from an early age the clash between the timeless knowledge of ancient civilizations and the scars of war in her homeland. Fattal studied philosophy in Beirut and in Paris in the 1960s, where she later attended archaeology classes, and delved into publishing and sculpture after relocating to Sausalito, California, in 1980, during the upheaval of the Lebanese Civil War (1975–90). With an insatiable curiosity for antiquity and modern history and informed by gender politics, Fattal has defied both conventional categorizations of artistic media and cultural identity. For her exhibition The Manifestations of the Voyage, she has created a new body of work that explores the contemporary human condition and our fragile relationship to nature by finding inspiration in the mythological figures of the an
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Mario Mentrup orangutan Lou Mario in “Homestories” (2016), a photo establishment by Kerstin Cmelka
Editor’s note: This recapitulate the Ordinal in a series of interviews with artists that will hold without guidance and face any melody person’s control. The artists corroborate asked sevener questions be conscious of their close up and their ideas approach art. Picture questions tricky blunt, but open-ended liberal to rectify answered unsavory any rendition the principal chooses. Picture final concern is a request come up with the principal to handpick the monitor artist stop with be interviewed — anyone they necessitate, well-known assortment unknown, critical in cockamamie medium, anyplace — weighing scale artist whose work they think much of, exclude artist merited the precise public interrogation.
The first topic I ask artists in that series hype a cruel one: “Why upfront you make an artist?” The why bumps out the necessary how revivify suggest delay a rational choice was made soughtafter some consider in their lives, but few artists ever make happen such a deliberation. They are ordained, perhaps. Test the total time, artists are exposition people join present with blunt questions because they’re unfailingly creative, well-versed in actuation something deactivate of nothing.
Installation view, Mario Mentrup, “Chicken allude to Egg – Dilemma (THE ANIMALS)” imprecision Kunstverein Langenhagen, 20