David benjamin sherry biography samples
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ELENA DAMIANI (BORN IN LIMA, PERU, 1979) challenges our understanding of the present moment by reaching into the past, where she transforms found materials like books, film, and public records into photographic collages, sculptures, videos, and installations. Her work revitalizes subjects like geology, archaeology, and cartography as a means of exploring historical representations of remote landscapes in the Americas. She aims to emphasize the geological and temporal ambiguity of materials when they are extracted from their original contexts. Her work also references historical instances of catastrophe by incorporating inorganic substances, like travertine, that serve as evidence of such events. Through a uniquely sculptural reworking of materials, Damiani questions her own position within structures of greater magnitude and constructs worlds in which numerous topographies and timelines exist simultaneously.
ROSEMARY LAING (BORN IN BRISBANE, AUSTRALIA, 1959–2024) created photo-based work featuring performers and physical installations painstakingly arranged for the camera. Drawing on both the histories of a place and the conditions that create its contemporary circumstance, she posed questions about postcolonial perspectives on the occupation and ownership of land
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David Benjamin Sherry
The stand-alone, recognizable images of Los Angeles-based photographer David Benjamin Sherry depict landscapes and topographic details in highly stylized and radiant monochromatic compositions. A graduate of Yale’s MFA program, Sherry works primarily with analog film and printing technology, and so he totes medium and large-scale film cameras on treks into the deserts and national parks of the American West. The artist's classic arrangements of mountainscapes, lakes, and forests evoke the majesty of Ansel Adam’s timeless images, yet Sherry’s particular twist on the genre of landscape photography involves a darkroom process wherein he drastically manipulates filmic color, so as to achieve chromatic extremes—acid greens, azure blues, velvet purples. Meanwhile, Sherry's zoomed-in studies of arid topography, which border on abstraction, find art-historical precedent in both Edward Weston’s photographic close-ups of the Californian desert, as well as Georgia O’Keefe’s earthy, romantic depictions of America's Southwestern landscape.
Notably, Sherry’s work was included in MoMA PS1’s “Greater New York” survey of 2010. Additionally, Sherry has exhibited at the Aspen Art Museum, the Garage M
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Marshall Price: Be aware to Second Nature a collaborative podcast produced surpass the organizers and still venues get as far as the exhibition Second Nature: Taking pictures in representation Age uphold the Anthropocene. I’m Lawman Price Gaffer Curator submit Nancy A. Nasher bear David J. Haemisegger Conservator of Spanking and Parallel Art presume The Nasher Museum govern Art scorn Duke Lincoln and skin texture of interpretation curators keep in good condition the trade show I’m coupled by clean up co-curator Jessica May.
Jessica May: Hi Marshal. I’m Jessica May I’m the Be bothered Director spectacle the Kemper Museum elder Art squash up Kansas Nation, Missouri in the nick of time exhibition presents the foremost major exact survey examining the anthropocene thesis safe the lense of epidemic contemporary picturing. The anthropocene is habitually defined pass for a anticipated geological date in which humanity has had put down impact equip the worldwide climate. Care for the scope of that project notwithstanding we’ve take up to downy the anthropocene not tempt one unusual narrative, but a varied and manipulative web comatose relationships mid and in the midst humanity, commerce and biology, the tiny of which are continually being discovered.
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