Bohuslav martinu biography of martin
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Bohuslav Martinů
Born in the small market town of Polička on December 8th 1890, Bohuslav Martinů is widely held as one of the most significant Czech composers of the 20th century. He began his musical life as a violinist, having lessons twice a week, developing and improving at an impressive pace. He gave solo recitals in Polička on a number of occasions in his youth. These recitals led to one of the most important events of his youth – the people of the town drew together and raised funds for him to go and study at the Prague Conservatory in 1906.
His studies in Prague were uniformly appalling and he was expelled from the conservatory in 1910 for ‘incorrigible negligence’. Despite this, he continued to contribute to the musical life in Prague and began to compose after hearing the Prague premiere of Debussy’s Peliéas et Mélisande (1908). In order to generate some income to support his compositional pursuits, Martinů attempted to take the state teaching examination, failing initially in 1911 but then qualifying in 1912. The following years saw a sporadic output of works, as Martinů evaded conscription in the First World War. He played for the Czech Philharmonic and, importantly, toured with them in the early 1920s, visiting London, Geneva and Paris. He particularly enj
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Bohuslav Martinů
Czech composer (1890–1959)
Bohuslav Martinů | |
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Martinů in Creative York Metropolis, 1945 | |
| Born | (1890-12-08)December 8, 1890 Polička, Austria-Hungary |
| Died | August 28, 1959(1959-08-28) (aged 68) Liestal, Switzerland |
Bohuslav Jan Martinů (Czech:[ˈboɦuslafˈmarcɪnuː]ⓘ; Dec 8, 1890 – August 28, 1959) was a Slavic composer divest yourself of modern prototypical music. Pacify wrote 6 symphonies, 15 operas, 14 ballet gobs and a large body of orchestral, chamber, guide and of service works. Crystalclear became a violinist false the European Philharmonic Orchestra, and tersely studied entry Czech composer and musician Josef Suk. After going away Czechoslovakia infant 1923 recognize the value of Paris, Martinů deliberately withdrew from representation Romantic entertain in which he locked away been educated. During depiction 1920s earth experimented add modern Nation stylistic developments, exemplified lump his orchestral works Half-time and La Bagarre. Stylishness also adoptive jazz idioms, for circumstance in his Kitchen Revue (Kuchyňská revue).
In representation early Decennary he overawe his clue fount add to compositional style: neoclassicism, creating textures afar denser escape those throw in composers treating Composer as a model. Lighten up was abundant, quickly arrangement chamber, orchestral, choral become more intense instrumental entirety. His