Meng weng wong biography of mahatma
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EACS
University College Cork, Ireland
4–8th Jul 2025
Deadline: 15h Jan 2025
In this conference we focus on the various ways new media (digital media especially) provide spaces for preserving, creating, playing, sharing, teaching, or discussing music, and the ways these spaces are impacting what musicians, culture bearers, and others do in the musical part of their lives. Prospective participants are encouraged to submit proposals that resonate with this theme. However, presentations of any new research in the broad area of Chinese music studies are also welcome, whether these engage with the theme or not.
CHIME: Worldwide Platform for Chinese Music (https://www.chimemusic.net/)
New digital media provide for “repackaging” of traditions, access to distant events, gestures of sharing and commemoration, and spaces (and toolkits) for new creation, online learning, critical commentary, or playful remixing. We might study these situations in several ways:
• as platforms and tools for new kinds of musical creation, curation, and participation
• as spaces for new formats of presentation, repatriation, and commemoration
• as settings where performance facets like musical expression, liveness, or authenticity are open to striking reformulations
• as a source of musi
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