Kivuthi mbuno biography template
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Kivuthi Mbuno (Kenyan, born 1947)
Dangerous Leopard, undated
Signed ‘Kivuthi Mbuno’ (lower left)
Coloured pencils and ink on paper
51.5 x 77 cm
Ksh 120,000-180,000
(US$ 1,090-1,640)
Bought in
Provenance: private collection
Prior to becoming an artist, Kivuthi Mbuno worked as a cook in the safari industry, which led him to travel into the interior of both Kenya and Tanzania, exposing him to nature and the wildlife there. These long treks and his memories of the traditional life of his Wakamba ethnic group are the inspiration for his narrative works.
His distinctive style using colour pencils, ink and pastels leads the viewer into a fantastical natural world, sometimes hostile, sometimes harmonious.
This work is a rare example; according to the artist it is one of only seven works in which westerners are depicted and, despite requests, he refuses to make any more.
Mbuno has exhibited widely, in museums and private galleries across Europe including the Saatchi Collection in London and the Center for African Art in New York.
Category: Auction 2015
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Kenya Mortal Art: Exploring Its Social and Exquisite Treasures
April 22, 2023
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Kenyan artists, filmmakers and writers have taken to social media to express their outrage after it was announced that six of the eight artists selected by Italian curator Paola Poponi to show work in the Kenyan Pavilion at this year’s Venice Biennale will be Chinese.
Artist Michael Soi, who documents the nightclubs of Nairobi and the growing social relationship between China and Kenya, responded with a painting titled ‘The Shame in Venice 1’; whichdepicts the alarming ratio of Kenyan to Chinese artists in the proposed exhibition. The storm of protest resulted in both an online petition,and a group visit to Hassan Wario at the Ministry of Sports, Culture, and the Arts in Nairobi by Kenyan arts managers.
This is the second time that Kenya has hosted a national pavilion at Venice stocked principally with Chinese artists. In 2013 Poponi selected 11 artists, only only two of whom were Kenyan (Kivuthi Mbuno and Wangombe Wachira. It was reported by the US media organisation NPR that Italian hotelier and longtime Kenyna resident Armando Tanzini is the main force behind the Kenyan Pavilion and secured Kenya’s place at the biennale without the help of Kenya’s arts ministry. “The government of Kenya, they don’t know about this important exhibition, the Biennale,” Tanzi