Adam potkay equiano autobiography

  • Olaudah Equiano and the Art of Spiritual.
  • The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the.
  • History, oratory, and God in Equiano's Interesting narrative / Adam Potkay -- Equiano lite / Srinivas Aravamudan -- Domesticating Equiano's Interesting.
  • The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa, the African: An Authoritative Text

    One of the most remarkable figures in the history of African literature is Olaudah Equiano, who is also known as Gustavus Vassa. He was born into an Igbo community that he called Essaka, or most probably Isieke, in what is now the Ihiala local government area of the Anambra State of Nigeria. Captured and sold into slavery at the age of 12, he was taken to the West Indies. There he was resold to a British naval officer who helped him acquire an education and some nautical experience. When Equiano was beginning to consider himself a free man, he was unexpectedly sold again to a Philadelphia trader, for whom he undertook business trips to the West Indies. These trips enabled Equiano to make enough money to buy his freedom. As a free man, Equiano continued his vocation as a sailor and traveled extensively in Europe, Africa, and the Americas. He eventually joined the abolitionist movement in Great Britain, where he settled down as a respectable African European, married an English woman, and had two children. Equiano moved in high social circles, wrote and spoke frequently in various public media on abolition issues, and petitioned the British Parliament on the e

    Potkay-History, Oratory person in charge God domestic animals Equiano.pdf

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  • adam potkay equiano autobiography
  • Olaudah Equiano and the Art of Spiritual Autobiography

    DOI: 10.2307/2739447
    This work is not Open Acccess. We may still have a PDF, if this is the case there will be a green box below.

    Adam Potkay

    What does this anecdote signify? What is its point? Surely, at the most basic level it is a tableau of considerable pathos and charm, soliciting a smile and engaging our sympathy on behalf of the young outsider. It is, too, Equiano's reflection on the daunting but ultimately not prohibitive chasm that separates the orality of his childhood from the literate culture to which he crossed over. And, as Henry Louis Gates has demonstrated, it affords an instance of the central topos of eighteenth-century African-English writing.2 Gates traces this topos of the talking book back to the slave narrative of Ukawsaw Gronniosaw (1770); as Gronniosaw writes, rec-
    “Olaudah Equiano and the Art of Spiritual Autobiography” is a paper by Adam Potkay published in 1994. It has an Open Access status of “closed”. You can read and download a PDF Full Text of this paper here.