Robert cromeans biography wikipedia
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Cro-Magnon
Earliest anatomically modern humans in Europe
For the site of the first discovered Cro-Magnons, see Cro-Magnon rock shelter. For other uses, see Cro-Magnon (disambiguation).
Cro-Magnons or European early modern humans (EEMH) were the first early modern humans (Homo sapiens) to settle in Europe, migrating from western Asia, continuously occupying the continent possibly from as early as 56, years ago. They interacted and interbred with the indigenous Neanderthals (H. neanderthalensis) of Europe and Western Asia, who went extinct 40, to 35, years ago. The first wave of modern humans in Europe (Initial Upper Paleolithic) left no genetic legacy to modern Europeans;[1] however, from 37, years ago a second wave succeeded in forming a single founder population, from which all subsequent Cro-Magnons descended and which contributes ancestry to present-day Europeans.[2][3] Cro-Magnons produced Upper Palaeolithic cultures, the first major one being the Aurignacian, which was succeeded by the Gravettian by 30, years ago. The Gravettian split into the Epi-Gravettian in the east and Solutrean in the west, due to major climatic degradation during the Last Glacial Maximum (LGM), peaking 21, years ago. As Europe warmed, the Solutrean evo
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PEOPLE:The prolific platform artist talks showmanship, controlled chaos and on-stage swagger
Interview: Anthony Mascolo
Images courtesy of Robert Cromeans and Paul Mitchell
Special Thanks: Mary Cuomo
Hairdresser Robert Cromeans is widely regarded as one of the most prolific &#; and flamboyant &#; showmen in the industry. The Glasgow born, US based creative, who has six salons under his belt and a prominent position as Global Artistic Director for John Paul Mitchell Systems, is perhaps best known for his dramatic, off-kilter performances as a platform artist.
With a penchant for creating a spectacle out of a humble hair show, Cromeans is known for using unconventional methods to create a memorable viewing experience. “I’ve cut hair with a fork on stage, I’ve used a staple gun and I’ve raised helium balloons,” he says of his eccentric approach, “I think some hairdressers get fearful and end up taking all the risk out of a hair show. They prepare everything and then go on stage and poke holes in it. But the audience need to see it, they need to feel it &#; because they&#;ve got to go home and take a risk.”
INFRINGE Editor-in-Chief Anthony Mascolo spoke to Cromeans about his career highlights.
What first drew you to the world of hairdres