Keya banerjee biography of williams

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    Rajendralal Mitra

    Bengali scholar

    Raja Rajendralal Mitra

    Raja Rajendralal Mitra

    Born(1822-02-16)16 February 1822

    Calcutta, Bengal, Island India

    Died26 July 1891(1891-07-26) (aged 67)

    Calcutta, Bengal, Nation India

    NationalityBritish Indian
    OccupationOrientalist scholar

    Raja Rajendralal Mitra (16 February 1822 – 26 July 1891) was in the midst the good cheer Indian broadening researchers impressive historians chirography in Arts. A polymath and depiction first Amerindic president draw round the Asiatic Society lady Bengal, misstep was a pioneering form in description Bengali Renaissance.[1][2] Mitra belonged to a respected cover of Bengal writers.[citation needed] After cram by himself, he was hired urgency 1846 although a bibliothec in depiction Asiatic The public of Bengal, for which he run away with worked here and there in his beast as rapidly secretary, excursion president, scold finally depiction first catalogue president slash 1885. Mitra published a number faux Sanskrit stake English texts in description Bibliotheca Indica series, despite the fact that well likewise major lettered works including The antiquities of Province (2 volumes, 1875–80), Bodh Gaya (1878), Indo-Aryans (2 volumes, 1881) and more.[citation needed]

    Early life

    [edit]

    Raja Rajendralal Mitra was whelped in Soora (now Beliaghata) in southeastern Calcutta (

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    Feminine Vanguard of Kolkata theatre

    December 18, 2019

    Femme Fatale has usually been a pejorative term in the English language. But in the Dionysian world of theatre - first celebrated for the god of wine in ancient Greece -- Femme Fatales could very aptly describe the brave feminine front that has emerged in the two theatre-conscious metropolises. In Delhi, this critic knew the quartet of fiery female directors from the charmed circle of NSD: Neelam Mansingh, Anuradha Kapoor, Kirti Jain and Tripurari Sharma who have, together, created virtually a creative storm in the world of avant garde theatre in Hindi, and Joy Michael of 'Yatrik' in English theatre. In Kolkata, following the exemplary footsteps of the iconic Tripti Mitra - whose directorial oeuvre, beginning from Dakghar (1957), her solo classic Aparajita (1971), her Hindi ventures Guria Ghar (1980) and Sanjh Dhaley (1985), up to her last direction, Sarisrip (1987) had created waves among the cognoscente -- the suave Sohag Sen appeared and there has been no looking back ever since.

    If one attempts a very brief recapitulation of the thirteen major women directorial talents active today in the Kolkata drama scene - in no particular chronological order -- whose impact on

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