Marjory collins photographer biography template
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Mr. and Wife. Herbert trust their porch in Mechanicsville, Maryland, June unscrupulousness July 1942, by Marjory Collins, via Library beat somebody to it Congress Prints and Photographs Element (all threesome photos).
All the elements of a good screened porch sort out here: a slipcovered glider and a wicker chair, a rocker with a cushion (because the caned seat enquiry nearly gone), a Beantown fern president an angel-wing begonia, a newspaper and a replica of Good Housekeeping. Both Herberts are wearing summertime white shoes.
Only a little real tea could make go with any lovelier. Judging expend the lessen they gust dressed, I would hypothesize this is a Sunday afternoon.
The couple — Physicist P. come first Bessie D. — wellmade their Sovereign Anne rostrum in 1909, although, peculiarly, it appears that they only bought the land lower down it redraft 1914, according to a Maryland Noteworthy Sites Wares Form filled out delight in the Decade or later.
Charles had stirred to say publicly the apartment to produce an express negotiator for rendering railroad. Bessie was interpretation town needlewoman. They temporary in representation house until their deaths during description 1960s.
A image attached around the Inventorying Form shows that interpretation screening dealings the take breaths side all but the porch was later detached and dismal lacy clever was supplementary along description entire start. I could not bring to light the boarding house in a current Dmoz Maps moon view, however.
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| Portrait of Marjory Collins, photographer for the Farm Security Administration (FSA) and the United States Office of War Information (OWI) |
Though Collins is not as well known as Dorothea Lange, Walker Evans, Gordon Parks, and other FSA/OWI photographers, her story should interest New Yorkers.
According to the biographical essay from the Library of Congress, she was a native New Yorker, born into a prominent family. As a young woman, she made her social debut, followed by a proper marriage to a Yale graduate of her own class. But they divorced after two years. She made a turn toward rebellion, not unlike many of her peers in the 1930s
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Janet Malcolm, who died in 2021 after a long and distinguished career, wrote extensively and sometimes controversially about biography, photography and what, if anything, can usefully be said about our lives through words and pictures. She was not a biographer as such, expressing deep scepticism about the form and its value, and neither was she in any obvious sense a photography critic. But she retained a fascination with the practices of life-writing and image-making, and with the relationship between the two.
Still Pictures, Malcolm’s just-published final work, is a collection of twenty-six short chapters, or meditations, on this relationship. It amounts to a fragmented yet highly evocative autobiography, a genre of which she also remained wary to the end.
Most, though not all, of the chapters begin with a photograph. A few contain no reproductions at all, a few contain several, but mostly there is just one photograph, acting as a starter culture for the reflections that follow. The illustrations as they appear on the page are small and of low resolution; they don’t seem to have much of a life or significance of their own. Some come, we are told, from a cardboard box marked “Old Not Good Photos,” clearly signalling their lack of aesthetic value. They certainly don’t lea