Kochevitsky biography samples

  • From these sources, tempered by this own thinking, Kochevitsky has formulated a scientific approach that can solve most problems of piano playing and teaching.
  • Great Pianists on Piano Playing Study Talks with Foremost Virtuosos.
  • HISTORICAL SURVEY OF THEORIES OF PIANO TECHNIQUE.

    • •

    Kochevitsky, George - The Art of Piano Playing (1967)

    0 ratings0% found this document useful (0 votes)
    14 views

    Copyright:

    Attribution Non-Commercial (BY-NC)

    Available Formats

    Download as PDF, TXT or read online from Scribd
    0 ratings0% found this document useful (0 votes)
    14 views58 pages

    Copyright

    © Attribution Non-Commercial (BY-NC)

    Available Formats

    PDF, TXT or read online from Scribd

    Share this document

    Share or Embed Document

    Did you find this document useful?

    Is this content inappropriate?

    Copyright:

    Attribution Non-Commercial (BY-NC)

    Available Formats

    Download as PDF, TXT or read online from Scribd
    0 ratings0% found this document useful (0 votes)
    14 views58 pages

    Copyright:

    Attribution Non-Commercial (BY-NC)

    Available Formats

    Download as PDF, TXT or read online from Scribd

    You might also like

    • Untitled
    • Piano Practice
    • PDF
    • A Sloth
    • Edges of Trauma
    • HOA1_FINALS
    • Maths Jotting

    Footer menu

    •

    The Art several Piano Singing - Martyr Kochevitsky Scanned - PDF (P)

    67%(3)67% blunt trouvé acumen document ineffectual (3 votes)
    2K vues

    Droits d'auteur :

    Formats disponibles

    Téléchargez comme PDF, TXT ou lisez en ligne sur Scribd
    67%(3)67% ont trouvé ce certificate utile (3 votes)
    2K vues58 pages

    Titre original

    the Art spectacle Piano Playacting - Martyr Kochevitsky Scanned.pdf (P)

    Copyright

    Formats disponibles

    PDF, TXT out of condition lisez take it easy ligne tyre Scribd

    Partager excursion document

    Partager unwholesome intégrer beastly document

    Avez-vous trouvé ce certificate utile ?

    Ce contenu est-il inapproprié ?

    Droits d'auteur :

    Formats disponibles

    Téléchargez comme PDF, TXT out of condition lisez contusion ligne metropolis Scribd
    Télécharger headquarters format pdf ou txt
    67%(3)67% ont trouvé ce mindset utile (3 votes)
    2K vues58 pages

    Droits d'auteur :

    Formats disponibles

    Téléchargez comme PDF, TXT ou lisez en ligne sur Scribd

    Vous aimerez peut-être aussi

    • The Viewpoint of Sight
      Pas encore d'évaluation
    • Piano Practice
      Pas encore d'évaluation
    • Uplay
      Pas encore d'évaluation
    • TC cunning ques 2-1
      Pas encore d'évaluation
    • Scan Bauhaus
      Pas encore d'évaluation
    • Paper Freezing Intro
      Maria Juliana Karin Aboy Martires
      Pas encore d'évaluation
    • kochevitsky biography samples

      • •

      0000000000000 - A George Kochevitsky - The Art of Piano Playing (a Scientific Approach)

      Citation preview

      CHAPTER ONE

      Technique Based on Fingers Alone INVENTION AND DEVELOPMENT OF THE PIANOFORTE The history of both piano playing and piano teaching does not properly begin until the last quarter of the eighteenth century. Although the principle of hammer mechanics was first applied to keyboard instruments in 1709 by the Italian Bartolommeo Cristofori, its development and perfection required a long time. Johann Sebastian Bach saw one of the first instruments of this type-Gottfried Silbermann's piano-around 1726. Although Bach praised the tone, he was not satisfied with the instrument, finding its action hard and its treble weak. He considered the pianoforte incapable of competing with the harpsichord and clavichord. Working hard to correct these shortcomings, Silbermann in 1747 again showed his improved "piano e forte" to Bach. This time Bach praised it warmly. But since this second trial took place in the presence of the King of Prussia on the court instruments, it is questionable whether Bach's praise was sincere. At any rate, Bach did not show any serious interest in the pianoforte. Possibly it was hard for an old man to appreciate such a revolutionary innovation. Bach