Tennessee williams biography video on michael jackson

  • James Grissom says that he met the playwright and his famous muses, and quoted them extensively in his work.
  • Lyle Leverich, who wrote Tennessee Williams' authorized biography, gave a lecture at the first festival.
  • As you watch the video,Tennessee Williams: A Wounded Genius, from the Biography Channel, identify and make note of four major influences on his life.
  • Inside Michael Politician and Lisa Marie Presley's Head-Scratching Marriage

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  • tennessee williams biography video on michael jackson
  • Sometime in September, 1982, James Grissom, a twenty-year-old English student at Louisiana State University, receives a life-changing phone call from Tennessee Williams. It doesn’t come completely out of the blue: Grissom had sent a fan letter to the playwright, enclosing a picture and a few short stories, and asking for advice. But the response, Grissom would write decades later, surpasses his wildest hopes. When he picks up the receiver, a rough voice drawls down the line, “Perhaps you can be of some help to me.”

    On the phone, the famously dissipated playwright tells Grissom that he is having a creative crisis. He has always begun his plays by imagining a woman walking across a stage, “announced by the arrival of a fog,” but he hasn’t seen this fog in years: the calcifying effects of time and “monumental accretions of toxins self-administered” have left him unable to write at his “previous level of power.”

    Grissom drives from Baton Rouge to New Orleans, and, at the Court of Two Sisters Restaurant, Williams dictates to him a list of writers, directors, and (mostly) actresses. Grissom jots the names down on a menu. Williams wants Grissom to convey his thoughts to these muses—specific praise, a memory—and then find out what Williams has meant to them. “I would like for you

    REMEMBERING THE FIRST FESTIVAL:  APRIL 3-5, 1987

    By Peggy Scott Laborde

    New Orleans in the mid-1980s was aching with a financial slump. The oil industry, which had been such a strong part of the city’s economy, was no longer a sure thing. The term “cultural tourism” wasn’t yet a phrase in common use. The New Orleans Jazz and Heritage Festival was on the calendar along with the French Quarter Festival. Both focused on music but there wasn’t an ongoing event showcasing the city’s rich literary heritage.

    “The Big Bang Moment came when Beverly Gianna, who worked for the New Orleans Metropolitan Convention and Visitors Bureau, and I discussed a book sale that had been held at the Rivergate, the city’s first convention center, recalls Errol Laborde, a Festival co-founder and its first president. At that time Laborde was then the longtime editor of Gambit, a weekly newspaper. “Beverly suggested we start a literary festival. We decided to have a lunch planning meeting on Halloween Day, 1986, at Mandina’s Restaurant.”

    “I invited Maureen Detweiler, who was Special Projects and Events Coordinator for the Office of Mayor of the City of New Orleans. We also included Don Marshall, then the head of Le Petit Theatre, since we found out that there would be a production there of A Ca