Konstantin sorokin biography of martin
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The Moralist International: Russia in the Global Culture Wars
Interviews
- Interview. 2017a. Interview conducted in the context of the POSEC project with a member of the diplomatic corps to the UN of a post-Soviet country. Place: The interview was conducted via Skype. Original language: Russian (all quotes have been translated by April French). Date: February 23, 2017.
- ———. 2017b. Interview conducted in the context of the POSEC project with a European stakeholder from the NGO sector. Place: The interview was conducted via Skype. Original language: English. Date: June 16, 2017.
- ———. 2017c. Interview conducted in the context of the POSEC project with a pro-life activist. Place: Moscow. Original language: Russian (translation by the authors). Date: January 28, 2017.
- ———. 2017d. Interview conducted in the context of the POSEC project with a Russian Evangelical leader. Place: Moscow. Original language: English. Date: 03.02.2017.
- ———. 2017e. Interview conducted in the context of the POSEC project with Alexey Komov. The interviewee agreed to waive confidentiality. Place: Moscow. Original language: Russian (translation by the authors). Date: January 31, 2017.
- ———. 2017f
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Leo Tolstoy
- LAST REVIEWED: 20 February 2024
- LAST MODIFIED: 20 February 2024
- DOI: 10.1093/obo/9780190221911-0104
Bayley, John. Tolstoy and the Novel. Chicago: University of Chicago Press, 1988.
This time-honored scholarly classic about the writer who wrote great novels without “ever becoming a novelist” undertakes its most memorable investigation of the novelistic peculiarities of War and Peace and Anna Karenina. While early chapters focus on Tolstoy’s Russian background and inevitable comparisons with other great novels, the volume includes a fine, if short, interpretation of Tolstoy’s Resurrection and his short fiction in the final chapters.
Eikhenbaum, Boris. Tolstoy in the Sixties. Translated by Duffield White. Ann Arbor, MI: Ardis, 1982a.
Originally published in 1930 as Lev Tolstoi. Shestidesiatye gody. In the first two parts of this sequel to Lev Tolstoi, Piatidesiatye Gody (“Tolstoy in the Fifties” [Leningrad: Priboĭ, 1928]) (which has still not been translated into English), Eikhenbaum shows us a Tolstoy caught between various literary schools: that of art for art’s sake, of the democratic men of letters, of the Slavophiles, and of German theories of pedagogical populism
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