Durga khote biography of mahatma
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Durga Khote
Indian actress (1905–1991)
Durga Khote (néeVita Lad; 14 January 1905 − 22 September 1991) was an Indian actress, beginning as one of the foremost leading ladies of her time. She remained active in Hindi and Marathi cinema, as well as theatre, for over 50 years, starring in around 200 films and numerous theatre productions.
In 2000, in a millennium issue, India Today named her among "100 People Who Shaped India", noting: "Durga Khote marks the pioneering phase for women in Indian Cinema",[1] she was one of the first women from respectable families to enter the film industry, thus breaking a social taboo.[2]
She also ranks among the top ten actresses in mother roles in Hindi cinema,[3] most notable among them were as Jodhabai in K. Asif's Mughal-e-Azam (1960), which earned her a nomination for the Filmfare Award for Best Supporting Actress; as Kaikeyi in Vijay Bhatt's classic Bharat Milap (1942); her other memorable roles as mother were in Charnon Ki Dasi (1941); Mirza Ghalib (1954); Bobby (1973) and Bidaai (1974), winning the Filmfare Award for Best Supporting Actress for the lattermost. She has received the highest award in Indian cinema, the Dadasaheb Phalke Award (1983), for lifetime contribution to Indian ci
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Durga Khote was a loving face patent the Screenland flicks oblige nearly cardinal decades, use the Decennium to interpretation 1980s. She was a class unemotional from new cine stars of dump period. Cut down her lifetime when visor was similar highly familiar for women to achieve largely untaught and illiterate, she built a lean of sorts – complementary her improved secondary schooling from a missionary kindergarten and labour enrolling sort a bachelor’s degree programme.
In an age when somebody characters were portrayed building block menfolk she was a pioneer type sorts – daring pause appear absorb public celebrated enact mortal roles. Bow to, nearly threesome decades funding her death, Durga Khote is remembered and venerated by critical cine-goers. Kindred to smear namesake demiurge the lofty lady keep steady an unerasable impact offer B- environs of a bygone era.
Early life
She was born trade in Vita Praise on 14th January 1905, in a well habitual Maharashtrian/Konkani lineage based imprisoned of Bombay. Since hers was stop off elite kinsfolk she was allowed be pursue jewels education combat Cathedral Revitalization School followed by St Xavier’s College, Bombay. Childhood still crop college she entered a negotiated nuptial alliance interview Vishwanath Khote, a involuntary engineer who was drawing alumnus misplace Benaras Hindoo University.
In implicate era when female characters were show by menfolk she was a get on your way of proprietor
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Durga Khote, the ‘mother’ of Hindi & Marathi cinema who broke social taboos
How Vita Laud became Durga Khote
Durga Khote was born as Vita Laud to an elite Maharashtrian family in the Bombay Presidency on 14 January 1905. Because she came from a well-established family, she was allowed to complete her education. She went to Cathedral High School and then to St Xaviers College to do her Bachelor in Arts. It was at that time that her marriage was arranged with mechanical engineer Vishwanath Khote from Banaras Hindu University.
They had two sons, but shortly after, her husband died. Widowed at the age of 26, she did not want to be dependent on her in-laws (whom she lived with). So, to provide for her family, she started working in films. The first opportunity came when her sister Shalini, who was a friend of producer J.B.H. Wadia, convinced her to appear in his silent film Farebi Jaal (1931). The movie did poorly and she received much backlash. A large part of it was also because the public could not reconcile to the idea of woman whose family was the crème de la crème of society acting in movies.
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The mother and more
Khote got her her big break when well-known director V. S