Fashion photographer nyc terrible lighting
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Golden Hour
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Lighting Fashion in New York City, Part 2
Yesterday our lighting set-up was pretty much for head shots (one beauty dish and a reflector), but for every look we did during the day, I also shot more traditional full length shots as well, but like always—I try to keep the lighting simple, using just one main light. This was shot with a gray background—I added the violet Split Tone effect in the shadow areas inside of Lightroom.
Here’s the lighting set-up for the shot you see at the top of the page. We used the same exact strobe (the Elinchrom BXRI 500), but we switched out the Beauty Dish we used for the headshots shown in yesterday’s post for the 53″ Midi Octa softbox, which is probably my most-often used softbox when shooting fashion (It’s priced fairly decent for its large size—B&H Photo has it $289. Link). The main reason I switched was because I knew I’d be shooting 3/4 length and full length shots, so I wanted the light to cover more area. Also, to make sure some of the main light bounces back toward our subject, we put up a large white V-flat on the opposite side of the Main Light to fill in the other side.
Since I was shooting tethered, positioning the single Main Light was easy—it was controlling the ligh
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3 Nightmare Lighting Environments and How to Photograph Them
Finding the right light for your images can be a daunting task, especially when shooting outdoors and with unpredictable lighting conditions. Professional fashion and portrait photographer Lindsay Adler, is here to give you her list of the worst lighting conditions outdoors, and how to correct them in camera, to give you the best possible photos.
Sometimes the best locations have the worst lighting, or we simply have no choice on our location. The light may be terrible, but we photographers are problem solvers! We have to make the best out of any situation-- that's our job!
For this reason we must work to be prepared for the best and worst of situations. Practice and preparation make perfect! I’d like to share 3 of the most terrible lighting scenarios and we can shoot our way out of them!
DIRECT SUNLIGHT
Every photographer hopes for blue skies on the day of an outdoor shoot, but bright sun, especially at high-noon, doesn't always translate to the ideal lighting environment. Direct sunlight can be brutal and harsh. Here’s how to regain control of your light on bright sunny days:
The DIY Fix:
Find shade! If you have no reflectors, no diffuser, and no flash, just moving your subjects out of the direct sunlight