Urmi juvekar biography of donald
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Urmi Juvekar Profile
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Biography
Urmi Juvekar is have in mind Indian poet and infotainment filmmaker. Slightly a writer, she has worked gather movies specified as Rules: Pyaar Ka Superhit Rubric (2003), Oye Lucky! Okay Oye! (2008), I Assemblage (20
Urmi Juvekar is chiefly Indian writer and film filmmaker. Significance a writer, she has worked give back movies much as Rules: Pyaar Ka Superhit Rubric (2003), Oye Lucky! Form Oye! (2008), I Rumourmonger (2010) queue Shanghai (2012).
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The Screenwriters Association announces it’s first ever Award and the nominees are…
A jury comprising of eminent screenwriters selected five feature films under each of the sub-categories: Best Story, Best Screenplay, Best Dialogue and Best Debut Writer. Together, the nominations are divided among 10 Hindi language feature films released in 2019. For the purpose of selection of nominees, the Swa Awards Committee accessed 167 of 223 Hindi language feature films released in theatres and on Ott platforms in 2019. A jury comprising of screenwriters such as Ashok Mishra, Atul Tiwari,...
See full article at Bollyspice
“Leila is a disturbingly devastating dystopian drama” – A Subhash K Jha Review
Starring Huma Qureshi, Siddhar
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But has the quality of work taken a backseat?
Who am I to talk about quality? One part of art is experimentation. And quality is very subjective. I once sat on a stage with an important filmmaker who spoke about the ‘middle of the road’ cinema — neither arthouse nor popular. ‘These people will fall in the cracks,’ he said.
Such value judgements get us nowhere. Thoughts on quality would get nowhere if you want to make a movie for the sake of being arthouse, or top do well at the box office, or fetch awards, or all at the same time. With every age and time, the definition of quality will change.
As movies being shown abroad and across India, should writers consider the larger audience?
You may not see the larger trends and seeing those trends is also not your job. Subconsciously, however, we may be influenced by something that is in vogue if it suits our framework of narration. But that shouldn’t be seen as part of a trend.
Has the changing times brought in specialisation in writing?
Each film is different, and this difference should be present in how the script treats the story. So there is no blatant categorisation. But writers are human beings, with their own likes and dislikes. So, scriptwriters also can choose the topic they like to work with. If I am not comfor