Lucia anguissola biography definition
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1. Self-Portrait, Sofonisba Anguissola
2. Self-Portrait, Lucia Anguissola
Sofonisba [Self-Portrait 1.] was born into a minor noble family in Cremona and was the oldest of 7 children (6 girls and 1 boy) all classically educated including painting. She and her sister Lucia [Self-Portrait 2.] studied with Bernardino Campi () and Bernardino Gatti (“il Sojaro” c. ) after which Sofonisba traveled to Rome where she met Michelangelo and began to establish her reputation as an artist. She returned to Cremona and her portraits during the s cemented her reputation as a great portrait artist. In she embarked for Spain (via Milan) where she became a lady-in-waiting and personal painting tutor to the Spanish Queen Elizabeth of Valois. She returned to Italy possibly for a year in (staying in Mantua to paint portraits of the Gonzaga family)[1] and then for good in
The Anguissola Family
3. Minerva, Amilcare & Asdrubale 4. Bianca Ponzoni
The Anguissola parents were: Amilcare [3] and Bianca Ponzone/i [4]
Sisters and brother:
Elena (); studied painting and then became a nun.
Lucia (/38 &#; c. or before ); painter (“the best of Sofonisba’s sisters”) studied with Bernardino Gatti and died young [2]
Europa (/43 – or 78) was known for her portraits, although all t
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Sofonisba Anguissola
Bibliography
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Cook, Herbert. “More Portraits harsh Sofonisba Anguissola.” The Metropolis Magazine 26 (–15): –
Dabbs, Julia K. Life Stories of Women Artists, –
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Sofonisba Anguissola
Italian painter (c. –)
Sofonisba Anguissola (c.&#;[1]&#;– 16 November ), also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted the Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the queen's death, Philip helped arrange an aristocratic marriage for her. She moved to Sicily, and later Pisa and Genoa, where she continued to practice as a leading portrait painter.
Her most distinctive and attractive paintings are her portraits of herself and her family, which she painted before she moved to the Spanish court. In particular,