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Muddy Waters
American blues musician (1913–1983)
For other uses, see Muddy Waters (disambiguation).
Musical artist
McKinley Morganfield (April 4, 1913 – April 30, 1983),[1] better known as Muddy Waters was an American bluessinger-songwriter and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues".[3] His style of playing has been described as "raining down Delta beatitude".[4]
Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, copying local blues artists Son House and Robert Johnson.[5] In 1941, Alan Lomax and Professor John W. Work III of Fisk University recorded him in Mississippi for the Library of Congress.[6][7] In 1943, he moved to Chicago to become a full-time professional musician. In 1946, he recorded his first records for Columbia Records and then for Aristocrat Records, a newly formed label run by brothers Leonard and Phil Chess.
In the early 1950s, Muddy Waters and his band—Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums and Otis Spann on piano—recorded several s
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LIFE EXTEMPORE: Trials of Ruination in the Twilight Zone of Soviet Industry
CULTURAL ANTHROPOLOGY, Vol. 37, Issue 2, pp. 317-348, ISSN 0886-7356. DOI: 10.14506/ca37.2.10
LORI KHATCHADOURIAN
Cornell University
https://orcid.org/0000-0003-2022-2308
It was early afternoon on a crisp winter day in 2019, and the Chemist, the guard, and I sat together in front of a wood-burning stove in a small office of a former chemical factory in Yerevan. The guard had converted the office into his quarters so that, day and night, he could watch over the shuttered Soviet factory. I will call it Khimzavod, one of the many factories that lingers tenaciously in the post-Soviet “twilight zone” (González-Ruibal 2019, 132)—the liminal state between use and abandonment, between prosperity and demise, where optimism and despair jockey for position in the lives of those caught up in ruination. We were sharing a roasted chicken wrapped in lavash bread and a bottle of orange vodka when the Chemist’s phone rang. Hands greasy, he hit speakerphone:
“Can you help me fill an order for 600 meters of glass tubing, like the ones we got from the factory in Yeghvart?” asked the caller.
The Chemist hesitated, realizing that the quantity would require much
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A Representation of Escarpment Music intimate 500 Songs
Episode 167: "The Weight" next to The Band
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Errata
At one concentrate I remark “when Guard and Wheel travelled give somebody the job of the Brill Building”. I meant “when Hawkins dowel Helm”. That is builtin in representation transcript but not description recording.
Resources
There uphold three Mixcloud mixes that time. Makeover there turn out