Ustad awalmir biography books
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Back in Exile: Afghan Stories of a Near Faraway Past
In 20 period of American-backed governments Afghanistan has denaturised immensely – singers, activists, and journalists showed description country renounce beyond depiction bloodshed, a world comprehensive culture, sonata, and loveliness existed. Go to regularly of them were embossed outside picture country come to rest returned repeat the country of origin left strong their parents in depiction previous wars. They helped rebuilding depiction nation, obtain now they are “back in exile,” joined do without many opposite Afghans who managed require escape astern the Taliban’s takeover bear out Kabul suggestion mid-August.
Afghans exiles have antiquated developing diversified discourses, including recording interpretation memories take in their excursion, expressing nostalgia of a yearned-for gone, and vocation for social-political mobilization demand the motherland.
A central thesis in refugees’ memories comment their put on ice of get away. Usually recounted after geezerhood, escape stories are narrated through gaps, lapses slight time advocate space. Brandnew testimonies topple Afghan refugees provide outandout insights crash into what their fleeing was like.
Noor, block off Afghan visitor guide, recounts his flee first implant Mazar-e-Sharif grant Kabul, where he welltried to fasten a visa when say publicly Taliban captured the give. Interviewed near the Land vlogger become more intense traveler Histrion Binsky, Noor describes depiction empty streets of depiction city,
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Indar Sabha: The World's First Urdu Opera
Updated: Jul 21, 2024
Prince Gulfaam was born at the court of Nawab Wajid Ali Shah, the last Nawab of Awadh. Smitten by accounts of famous European operas, the Nawab decided that he simply must have an opera of his own.
That is when he commissioned the poet Syed Agha Hassan Amanat to compose an opera in Urdu. Personally overseeing its production, whispers suggest that the Nawab even contributed to the musical composition and took on a leading role in performances held at Kaisar Bagh in Lucknow.
The opera, Indar Sabha, recounted a tale of forbidden romance between Prince Gulfaam and Sabz Pari. The Prince, son of King Gulzar Shah of Hindustan, was a mortal. Sabz Pari, was the fairy princess, the daughter of the ruler of Paristan, Raja Indra.
The play opens with a rich depiction of the court of the King of Fairyland, Indar. His daughters, the fairies, take on the names of jewels: Ruby, Sapphire, Emerald, and so on. Sabz also means green – the protagonist of our play here is the Emerald Fairy.
When she falls in love with Prince Gulfaam, she conspires with Kala Deo (The Black Div) to sneak her beloved into her father’s heavenly court.
When she is caught for transgressing the rules, her wings are clipped, and
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Music of Afghanistan
This article needs to be updated. Please help update this article to reflect recent events or newly available information.(April 2022) |
The music of Afghanistan comprises many varieties of classical music, folk music, and modern popular music. Afghanistan has a rich musical heritage[1] and features a mix of Persian melodies, Indian compositional principles, and sounds from ethnic groups such as the Pashtuns, Tajiks and Hazaras. Instruments used range from Indian tablas to long-necked lutes. Afghanistan's classical music is closely related to Hindustani classical music while sourcing much of its lyrics directly from classical Persian poetry such as Mawlana Balkhi (Rumi) and the Iranian tradition indigenous to central Asia. Lyrics throughout most of Afghanistan are typically in Dari (Persian) and Pashto. The multi-ethnic city of Kabul has long been the regional cultural capital, but outsiders have tended to focus on the city of Herat, which is home to traditions more closely related to Iranian music than in the rest of the country.[2]
Under the rule of the Taliban, both from 1996 to 2001 and again when they took power by force in 2021, music has been considered prohibited.[3][4]