Pyanhabib biography of abraham
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SK PENDAM
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PERKARA Laporan Pelaksanaan Aktiviti Penghayatan Hadis 40 Imam
Nawawi
TARIKH/ HARI 21 Jun 2024 (Jumaat)
TEMPAT Surau SK Pendam
MASA 7.00-8.00 pagi
SASARAN Semua guru dan murid
OBJEKTIF -Menerapkan asas kefahaman agama dan keindahan akhlak
Islamiah ke arah merealisasikan Falsafah Pendidikan
Kebangsaan
-Memupuk sahsiah dan nilai yang baik di kalangan murid.
PENILAIAN AKTIVITI Kekuatan
-Majlis berjalan seperti yang dirancang.
Kelemahan
-Murid belum memahami Modul Hadis 40 Imam Nawawi
sepenuhnya.
Cadangan
-Murid perlu dipupuk untuk membaca Hadis
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Bulletin Pergigian KKM Vol 9 Issue 17
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FOREWORD
“A print, however it is produced, is considered an original artwork (albeit in multiple forms) if it has been conceived by the artist or the chosen medium. It can be derived from a painting or drawing using the artwork as source material, and can still be considered an original. However, if the work is directly transposed onto a screen, block or plate by photographic, or other means, solely in order to produce it in duplicate form, then this is not considered an original print but a reproduction, and should be labelled and sold as such.”
Printmaking is respected as a fine art medium because of its historical background and its initial intent as a communication and sharing tool. It is a form of art that has influenced even in the coming age of technology of printing machines, maturing into a remarkable development and gaining significant interest as one of the refined methods of expression.
We have always perceived printmaking as a practice in the Malaysian art industry as something “not quite there” yet due to certain developments that have affected this practice’s growth. The quote above remarked on a substantial and fundamental need to understand why prints are often misunderstood as an artwork that is acquired